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Tamam
Shud was one of the most original and innovative
Australian groups of the late '60s / early '70s, and they played a very
important part in our musical development as pioneers of acid-rock and
progressive music. Long after they split they remained a 'cult' item,
and a definite mystique still surrounds them. Their original recordings
were (and still are) highly prized by collectors and aficionados, but
they are now very hard to obtain. Happily there was a brief but gratifying
comeback and some commercial success with their superb 1994 album Permanent
Culture and the hard-driving, bluesy
single Stay,
which delighted longtime fans of this outstanding group, and kindled interest
with younger listeners as well.
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Lindsay Bjerre [gtr,vcls] 1967-72
Peter Barron [bs] 1967-72
Dannie Davidson [dr] 1967-70
Larry Duryea (aka Larry Taylor) [congas]
Tim Gaze [gtr, vcls] 1970-2
Bobby Gebert [kbds] 1971
Richard Lockwood [sax, flute, clarinet] 1972
Nigel Macara [dr] 1970-72
Kevin Sinnott [dr] 1970
Kevin Stevenson [reeds] 1970
Alex 'Zac' Zytnic [gtr] 1967-70
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